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On The Mainstage @ Blue Heron Theatre

CORN BREAD AND FETA CHEESE - GROWING UP FAT AND ALBANIAN
written and performed by Elza Zagreda.
October 13 -24.

This show moves to the Studio Theatre October 26-30.


Follow Elza's odyssey as she struggles with growing up fat and Albanian in America. Outrageously funny and heartfelt, Elza searches for her identity in a world of sheepherders and moonshine where men are men and women are um, um...."sacks made to endure"....... Straight from a woman who lived to tell.....

Length: 00 hrs 60 mins
Intermission: None
Seating: General Admission
You choose your seats when you get to the theater.

Tickets/Reservations: SmartTix 212-868-4444 or order on line at SmartTix.com.

Blue Heron Arts Center
123 East 24th Street
New York, NY 10010
(Park Av So & Lex)
Show me a map!


 

Wendy R. Williams’s
“Hopscotch: The New York
Sex Comedy”
The Bar Plays

Wednesdays at 8PM
October 6th- 27th.
The Kraine

Hopscotch: The New York Sex Comedy, New York’s downtown cult hit will reopen in July.  Hopscotch, written and directed by Wendy R. Williams, has been running since August of 1999 and has performed at Raw Space, Rose’s Turn, The Duplex, The Red Room, Sage Fest at Theater 22, PSNBC at Here, The Producers Club and Penn State.

Hopscotch: The New York Sex Comedy is a trampy campy comedy about singles and sex in New York. The show has a large rotating cast of attractive young actors who add their spin to what is funny about sex in New York and the games people play when they are getting it on.

The play tells the story of three women who moved to New York to make it: Amanda Prescott, a wannabe Park Avenue Princess; Elsie Eckert, a dork from Pocatoo, Alabama; and Margo Manning, a dominatrix from New Orleans.  Their lives intertwine at an East Village coffee bar owned by Nick the Dick, all around stud and the object of everyone’s lust.  The coffee bar also features the usual suspects as regulars: Royston Bennett, an aspiring King of Wall Street; Officer Bob, one of New York’s finest; and Gaspar the Gay God (image consultant and part time gay icon). 

Hopscotch Stars:  Brianna Leigh Hansen, Doug Hurley, Jonas Graham, Diedre Kilgore,  Josh McLane, Jeffrey Perkins, Rachel Plotkin, and Rachael Roberts.

Tickets are $10 and can be purchased by calling Smarttix at (212) 868-4444 or by going to www.smarttix.com.  For more information call 212-841-5410 or log onto www.texastoastproductions.com.

           The Kraine|  85 East Fourth Street |  East Village

 



RADIOTHEATRE PRESENTS “MADHOUSE!”

When: WEDNESDAYS thru DEC.8
10/20, 10/27, 11/3, 11/10, 11/17, 11/24, 12/1, 12/8
Time: 8:00 PM
Where: RED ROOM THEATER 85 East 4th St.
(bet.2nd Ave & Bowery)
Subway: F, V to Lower Eastside, 2nd Ave./ 6 to Bleecker St.
Ticket: $12.00
Reservation: (212) 868-4444 WWW.SMARTTIX.COM
Press Contact: Dan Bianchi (212) 929-5213
Press Photos/ Info: www.radiotheatrenyc.com


RADIOTHEATRE presents "MADHOUSE!" is a once- a-week live, onstage performance, based upon the format of an old-time radio broadcast of horror and suspense programs, complete with announcer, spooky host, a company of actors who perform with book in hand before microphones, and, we may throw in a few spectacular visual FX to boot, all to be accompanied by 21st Century contemporary music and sound FX. RADIOTHEATRE offers a new, hybrid aural experience to whet your imagination. THIS IS NOT AN ACTUAL RADIO PROGRAM ON THE AIR. This is live theater. In months to come, RADIOTHEATRE will present various programs from pulp genres including HARDBOILED detective stories with a live jazz combo onstage, FROM BEYOND THE BEYOND: sci-fi stories and, THE ADVENTURES OF THE LINGERIE GIRLS.

Writer/Director DAN BIANCHI has been founder/Artistic Director of four international theater companies, written and directed over 45 plays and musicals, worked as screenwriter in Hollywood, directed 7 motion pictures with members of the Royal Shakespeare Co., won three-times Best Director Off Broadway, twice The Beckett Prize, the ASCAP Musical Theater Award, Billy Rose Theater Award, the National Writers Guild Screenwriting Award, a MacDowell Fellowship, and a National Humanities Grant.


Composer GARY ANDERSON was recently honored as one of Berklee’s College of Music outstanding alumni. grOn BROADWAY, he orchestrated "The Lena Horne Show," "The Main Event (Frank Sinatra)," "Bring Back Birdie," "Chorus Line," "They're Playing Our Song."
More recent stage productions include," The Creature Concert" and "Too Hot To Handel" at Lincoln Center. He is VP of Production at Score Productions, NYC, where he's scored 100s of TV shows, Commercials and stage shows including the Olympics, NCAA Football, CNN, Kentucky Derby, Soap Operas, Game Shows, Cartoons, and Ralph Bakshi's Emmy nominated "Christmas in Tattertown" and he wrote the "Itchy and Scratchy Theme" for "The Simpsons. " Recently, he won a GRAMMY for "Elmopalooza; Sesame Street's 30th Anniversary."


Tony & Tina's Wedding
Thursday, Friday, and Saturday at 7:00 pm
Saint Luke's Church

It's a party, and you're invited.

"I'm holding out for Pigs in a Blanket"
- Valentina Vitale

Reviewed by Diedre Kilgore

A joining of a union between Tony Nunzio and Valentina Vitale
Every Thursday through Saturday night at 7:00. The ceremony begins at St. Luke's Church, 308 West 46th Street

The Cast of that night: Joli Tribuzio, Johnny Tammaro (swing), Laura Escalante (swing), Scott Voloshin, Danielle Monteznos (swing), Craig Thomas Rivela, Amy Broder (swing), Deno Vourderis, Cindy Kostello (swing), Rhett Kalman, Daniella Gernoble (swing), Mark Nassar, Janine Molinari (swing), Joe Leone (swing), Abraham Sparer (swing), Henry Caplan, Susanna Hairy (swing), Danny Bruckert, Ernie Curcio, Matthew Knowland, Miriam Daly, Mike Lavelle, James Kluz and Sam Solovey (who recently guest starred in the Apprentice)

I had a little time to kill before meeting up to see Tony & Tina's Wedding with my fabulous clothing designer friend Eric Landgren, so I ducked into Pomaire, my favorite Chilean restaurant in Manhattan. Knowing I would be fed during the show, I opted to just nibble on a marvelous ceviche appetizer while sampling various South American cocktails. What.

Hunger pains at bay accompanied by a nice little buzz, I felt rejuvenated. I met Eric outside of St. Lukes Church where we were literally ushered inside. Unsure whether we should sit on the Groom or Bride's side, fortunately the usher realized that we were friends of the Bride, huh? We took our places and were immediately accosted by a nun with Touretes. Not the kind of Tourettes people constantly accuse ME of having, but the kind that makes one twitch uncontrollably. Eric and I loved this nun, but unfortunately, I didn't catch her name. Sorry about that, funniest nun in the world. You see, here's the thing. That night, there were about 10,000 understudies performing, and it was a little difficult for me to keep track of everyone, but I did my best. My apologies to anyone I may have left out. Understudy or not, they all did a fantastic job.

"But back up a minute", you might be saying to yourself, "I thought this show was cancelled?"

Well, it was, until Big Apple Entertainment got a hold of it and brought it back to life. Back by popular demand, the longest running show Off-Broadway, Tony & Tina's Wedding is here again, and for those of you finding yourselves in Las Vegas, it's running there too. So get out there and relish in the outlandish drama of an Italian wedding gone nutso (I learned all of my Italian American sayings from The Fonz).

Tony and Tina's Wedding was just recently made into a movie, starring Joseph McIntyre and Mila Kunis (That 70's Show) which screened this year at the Tribeca Film Festival. From what I understand, the film falls short in its attempt to re-create a story that was originally intended as an audience-interaction piece. I can understand why. The whole charm (and point) of watching Tony & Tina's Wedding is that you, as an audience member, are included in the festivities. You get to know the characters and they get to know you, and you don't really feel like you're watching a play as much as finding yourself thrown into the middle of a twilight zone that features an extremely trashy, bizarre Italian wedding.

There are two locations, when you go to see this show. The first is at St. Luke's Church, where the wedding takes place, then everyone parades a block down restaurant row with the cast to the reception hall located under Sophia's Restaurant. The journey alone between the two venues is loads of fun, especially while watching the reactions from the people on the street, who often times, seem to truly believe that we are a giant group of trashy wedding people. It's hilarious to watch the actors scream inappropriate things to the people on the street and witness the looks of disdain on the passersby's faces. It certainly puts you in a dimension outside of reality.

At the reception, the fourth wall becomes completely non-existent, melding dimensions, making you feel eerily comfortable yet a bit out of your skin at the same time. But just when Eric and I started to get a little edgy and confused, alcohol was served. What a great show! The characters not only include you in their worlds but will even lean over at times and tell you secrets. The production is truly an ensemble piece with a circus of activity and is therefore difficult to get the full experience of the show from only one viewing. From where I was sitting however, I was really taken with the bridesmaids, played by Danielle Montezinos, Laura Escalante and Amy Broder; one was very pregnant, one was a complete slut, and the other had a major attitude problem. Other standout performances included the father of the groom, played by Mark Nassarand who would blurt out offensive things at the most inappropriate times, accompanied by his sleazy girlfriend fabulously played by Janine Molinari, who kind of reminded me of a bizarre cross between Pat Benatar and Joan Jett. After having said this, depending on where you are, you get a completely different experience than the people sitting across the room from you. Not to mention that the majority of what you're seeing is improvised, so the vibe definitely changes with each production. At this reception, you not only get liquored up, you get fed. The food even tastes like wedding reception food. Eric was all about the pasta smothered in white sauce, until he saw an attractive man sitting at another table that forced him to have creative visions of other things one could smother in a white sauce. The whole experience was like an acid trip where you find yourself inside of an eerie cartoon, but at the same time, everything feels so very real.

Running Time: 2 hours 45 min - Price: $85 - $125
$125 VIP seating -- you will be seated in the best seats, and treated like family!
212-352-3101
 

Saint Luke's Church| 308 West 46th Street





Hopscotch: The New York Sex Comedy
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